Works

Things I make.

Works made slowly.

Painting is a way for me to observe people, nature, memory, and the small moments that might otherwise pass unnoticed.

Goldfish have appeared in my work since my early years as an artist. Over time, they became more than a subject — humanised figures through which I explore identity, intimacy, sexuality, memory and the behaviour of people within society.

Working between Chinese Gongbi painting and Japanese Nihonga, I use traditional materials and techniques within a practice that remains personal and contemporary.

Across different bodies of work, the meaning of the goldfish changes — sometimes an individual, sometimes desire or memory, and elsewhere a way of observing society itself.

春夢 · Chūn Mèng - Illusion

Portraits of encounters, memories and desire, retold through the image of the goldfish.

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Contemporary goldfish painting by Cristjen Lai in Nihonga and Chinese Gongbi style, featuring layered fish forms, mineral pigments and a dark background.

濁世 · Zhuó Shì - The Mortal World

A reflection on power, human nature and the struggle to remain oneself within a troubled world.

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雙囍 · Shuāng Xǐ
Double Happiness

Two goldfish share an open space, carrying a wish for companionship and happiness.

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Colours of Spring — goldfish painting by Cristjen Lai, created using traditional Gongbi and Nihonga techniques.

春色 · Chūn Sè - Colours of Spring

The colours of spring unfold into desire, as goldfish meet the male figure.

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The Fish of Jingshan — goldfish painting by Cristjen Lai, created using traditional Gongbi and Nihonga techniques.

Stories & Symbols

Stories linger, symbols gather, and familiar worlds take new forms in paint.

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An artistic illustration of two nude men, sitting close with their foreheads touching. They are surrounded by colorful koi fish, flowers, and leaves, creating a fantasy-like scene with a sense of intimacy and harmony.

男色 · Nán Sè - Fascination

A lingering gaze on male beauty, where suggestion gives way to desire and imagination.

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